Four Seasons in Philadelphia

This week, I finished the final watercolor in my Rittenhouse Square series. All four paintings were created on site, outdoors in Philly. It started in spring. My paints dried quickly in summer. I’m quite proud of fall. Winter was warm this year.

Be There.

Watercolor paint and ink on paper. 4.5″ x 6″ (11.4 cm x 15.2 cm).

Unframed: $215.00

 

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Starlight Ballroom

Last night, I showed at the annual Reflections fashion event at the Starlight Ballroom in Philadelphia. Watching masses of people look at my work is a nerve wrackingly voyeuristic experience. Especially when the music is too loud to eavesdrop.  To ease my mind, I painted.

Of In. Watercolor and ink on cotton paper. 6″ x 5.5″ (15.2cm x 14cm).

Unframed: $175.00

Many skilled, visual artists were showing with me. Please take moment to check out the work of Cherry Buttons, Mizz Mechanique, and Linda Guenste.

The main focus of the evening was fashion. The air was thick with beauty, music, sex, and clove cigarettes.

Not So Human Beings. Ink on paper. 6″ x 5.5″ (15.2cm x 14cm).

Unframed: $100.00


Mamma MOMA

Going to the Museum of Modern Art in New York is spiritually uplifting. It reminds me why I paint. It reminds me that I am not alone in my need to paint. Walking around the MOMA brings me almost to tears. I get sappy just thinking about it. The power of the art housed in that building cannot be expressed in words. The block emanates beauty. The following pieces were painted on site in New York after the recent visit to my favorite museum.

Central Park, Inspired by Impressionism:

After Noon Fall. Watercolor and ink on cotton paper. 6″ x 5.5″ (15.2cm x 14cm).

Unframed: $200.00

The MOMA Sculpture Garden, Inspired by Expressionism:

Water Soluble. Watercolor and ink on paper. 5.5″ x 3.5″.

Unframed: $100.00

Alberto Giacometti’s Tall Figure III, Inspired by Existentialism

A Cafe Plant, Inspired by Constructionalism:

Occupy

Color speaks louder than words.

Those Orange Beams. Watercolor and ink on paper. 5.5″ x 7″.

Unframed: $200.00

Click to enlarge image.

No Parking Lot

My work is not about the interaction between the natural world and the human made world. That would imply that somehow the human made world is unnatural.

In the art world, words like “juxtaposition” are used exclusively to describe two objects that don’t belong together. That is absurd. At one time there were objects that could shock simply by being placed next to one another. But this is the post, post modern world and the age of the internet. There is no “shock.” Every object is just as connected to, or disconnected from, the next. A leaf is no more connected to another leaf than it is to a car or a photograph of Ronald Reagan.

The connection (and subsequential disconnection) each object has with the object next to it is what my work is about. Whether the objects involved are organic or geometric is irrelevant.

No Parking Lot. Watercolor and Ink on paper. 7″ x 6″ (17.8 cm x 15.2 cm).

Unframed: $200.00

Rittenhouse Square

Spring time in Philadelphia is quite an inspiring sight. This watercolor plein air painting of Rittenhouse Square accurately depicts the mood, if not the crowds, of Philly on a breezy May afternoon.

Genuine and Entertaining. 7″ x 6″. Watercolor and ink on paper.

Unframed: $215.00

Atlantic City Race Course

I’ve lived in Atlantic County, New Jersey for a little over two years now. There are many historic gems in this part of the state. This morning I painted the Atlantic City Race Course. Honestly, I don’t know much about the building. It just struck me as a place that had some stuff happen in it.

A Slender Batch of Trees

Marble Hornets Enrty 5 Abstraction.

Entry 5 2:13. Mixed media on paper. 6″ x 5″.

Unframed: $150.00

Interior Number Three

Enjoy.

Just a Nook of Blue. Watercolor and ink on paper. 8.5″ x 5″.

Unframed: $150.00

Mr. and Mrs. Hill

The following piece is a commissioned drawing of a couple.

Portrait of the Hills. Colored pencil on matte board. 9″x12″.

SOLD

Some preliminary sketches for the piece:

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