Four Seasons in Philadelphia

This week, I finished the final watercolor in my Rittenhouse Square series. All four paintings were created on site, outdoors in Philly. It started in spring. My paints dried quickly in summer. I’m quite proud of fall. Winter was warm this year.

Be There.

Watercolor paint and ink on paper. 4.5″ x 6″ (11.4 cm x 15.2 cm).

Unframed: $215.00

 

Advertisements

November News

Two of my paintings were accepted into the Ocean City Arts Center‘s Annual Juried Art Show. I also have a few pieces showing at the Ocean City Fine Arts League‘s Anything Goes Show. Both receptions are this Friday evening, so if you’re in the area please stop in.

Maybe Marmora. Watercolor and ink on cotton paper. 7″ x 5.5″.

Unframed: $225.00

Suburban Sickness

I know it’s not the first time, I know it’s not the last time. This town is always there for me.

Please Take Me to Suburbia. Watercolor and ink on cotton paper. 7″ x 5.5″.

Unframed: $225.00

As always, click to enlarge image. It gets prettier that way.

The Heart of New York

Union Square stole my heart. Something about this corner of New York is different. The materialism fades, the cliques meld, and eye contact with strangers is made. If I lived near NYC I would paint this park all the time. This was painted on site, looking down Broadway from the steps of Union Square.

When Honest. Watercolor and ink on cotton paper. 6″ x 5.5″ (15.2cm x 14cm).

Unframed: $225.00

The heart of New York is obvious. It’s the people. During my visit I drew residents and tourists alike. Even as an outsider, it was easy to make out who was who. I drew them in parks, in museums, at protests, and on trains. It was my goal to draw fast enough to not get caught. Here are a couple pages of my discreet sketches.

NYC OWS

I’ve just returned from New York city. Already, I miss it.

Up until now, my paintings of the Occupy Wall Street movement have been from photographs. It is not very fulfilling to paint from photographs. I went to New York so I could paint from life. And I painted a lot.

#OWS. Watercolor and ink on paper. 6″ x 7″.

Unframed: $200.00

It was shocking how many people at the demonstration were not protesting. It seemed there were more journalists and people taking pictures then there were occupiers. That was a common theme in New York. New Yorkers seems to prefer recording and observing life more than participating. The following sketch is of the back of a CNN reporter. Her lights were bright, and her cameras never stopped running.

It was tough to get a good painting spot in the hectic, protesting park. There were marches and performance art, reporters and giant puppets. The landscape was ever changing. The people occupying Wall Street were constantly cleaning. They moved tents to scrub the sidewalk. There was a whole crew of people in masks that did nothing but wander the park and sweep. When I was there, the square smelled more like Pine-Sol than a corner of New York.

The last painting I completed of those standing  for the 99% is a little more abstract than my usual watercolors. I wanted to capture the constant motion, the idea that there is something happening here.

What It Is. Watercolor and ink on paper. 6″ x 5.5″.

Unframed: $200.00

The 99%

I’m painting the New York protesters, but I’m not painting the words on their signs. The Occupy Wall Street movement has no spokesperson. There are no slogans or catch phrases. The beauty of the occupation lies with its inability to be marketed. It does not matter to me what the signs say. These paintings are about the people.

Louder Than Words. Watercolor and ink on paper. 6″ x 5.5″.

Unframed: $200.00

Life on the Streets

Painting little snippets of life on any given street is becoming a favorite past time of mine. The following two paintings are of practically random buildings. They are both quite small works. Each was completed in a relatively short amount of time. I feel the speed in which they were painted contribute to their intimacy and vitality.

Miami Security Building. Watercolor paint, pen, and ink on paper. 4.5″ x 6″ (11.4 cm x 15.2 cm).

Unframed: $100.00

Wells Fargo Corner. Watercolor paint, pen, and ink on paper. 4.5″ x 6″ (11.4 cm x 15.2 cm).

Unframed: $100.00

Shore View

It pains me to admit that the summer is almost gone. Next week will be the last Evenings Along Asbury of 2011. It’s been a beautiful year for plein air painting. This week’s work:

Asbury Avenue. Watercolor and ink on paper. 6″ x 4.5″.

Unframed: $150.00

Summer Sweet Shop

I love summer. I love sweets. I love how this mid July painting of a candy shop turned out. Chocolate covered strawberries, mmmmm.

Summer Sweet Shop. Watercolor and Ink on paper. 7″ x 6″ (17.8 cm x 15.2 cm).

Unframed: $200.00

Evenings Along Asbury

Last night was the first Evenings Along Asbury of the summer. Besides great community events, every Wednesday throughout the summer there is a plein air event in Ocean City. Through this paint out I have met fantastic local artists like Ryan Simmons, Chuck Law, and Martini.

As an artist, most of what I create is done in solitude. Evenings Along Asbury gives me a chance to work adjacent to other painters for an entire season. Needless to say, I look forward to it all year. It is refreshing to see the downtown come together for the sake of the arts.

The following piece was painted last night between 5 and 7:30 pm. It won third place in the first Ocean City Fine Arts paint out of 2011.

Sunset. Watercolor and Ink on paper. 7″ x 6″ (17.8 cm x 15.2 cm).

Unframed: $200.00


« Older entries